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Vyjayantimala: At the confluence of politics, gender and art

Humra  Quraishi recalls a meeting with Vyjayantimala Bali and shares excerpts from an interview she did with her way back...

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Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Yesterday’s Agent Vinod: Why he quit Bollywood

Film historian, Dhruv Somani, tracks down Mahendra Sand...

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Question of Age: The believe-it-or-not pluck of Chunibala Devi

Khalid Mohamed writes on the uncanny story of Chunibala Devi, who at the age of 80 portrayed the tetchy yet lovable village gr...

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Wonder Animals: The Untold Story

Khalid Mohamed rewinds to the coached dogs, chimpanzees and elephants that would often steal t...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

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