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Bringing up Baby

On the heels of the success of Mimi, film historian, Dhruv Somani, writes on the subject of surrogacy depicted in the Bollywoo...

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Sign of the times: The War Within

Humra Quraishi explains the position of Muslim minorites in ‘new’ India and meets VK Tripathi and M. Y. Tarigami t...

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The 400 Blows - Run Antoine Run!

Vandana Kumar revisits François Roland Truffaut’s film, The 400 Blows and finds resonance with the complex way ad...

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Literary landmark in world fiction: Kabuliwala

Rinki Roy Bhattacharya spells out the significance of Rabindranath Tagore’s Kabuliwala today, in building compassion, to...

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Signs of the time: Who is accountable?

Humra  Quraishi recalls her brief meeting with Dilip Kumar and Saira Banu and worries for...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Helplines: Warriors at the forefront

Professionals talk to Monarose Sheila Pereira, about th...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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SAHOBASHE

Debutant filmmaker Anjan Kanjilal and stars Anubhav Kanjilal and Ishaa Saha speak to Shantanu Ray Chaudhuri about their forthc...

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Those Guilty Pleasures

Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today.