Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

Status Single & Lockdown

On April 1, 45-year-old auditor, divorcee, Kriva, who quit her last job in December after being harassed for being single, picked on for lookin...

The Maestro: Pandit Ravi Shankar

This year – 2020 - is sitar maestro Pandit Ravi Shankar’s birth centenary year, writes Humra Quraishi  

Farewell Basu Da

Amit Khanna talks about Basu Chatterjee on the day Indian Cinema has lost him. He recalls how Basu Da was known for having mir...

ART SALUTES WORKERS

Khalid Mohamed writes on the imperative need for Indian artists to express  their strong views on the state of nation und...

India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

Panchayat: Apna Gaon Apna Desh

Three cheers to Panchayat, a binge-worthy series at long last, in these stricken times - Khalid Mohamed

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