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THE RURAL BOY WHO BECAME A LITERARY ICON
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PRAHAAR REVIEW: JUSTICE AND HEROISM
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BIRDS IN THE DARK REVIEW
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FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA
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A WOMAN UNDER PUBLIC SCRUTINY
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SATISH GUJRAL: ART BEYOND PARTITION’S TRAUMA
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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL
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BEYOND THE VOICE, SHIBANI KASHYAP
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Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today? Once, the qawwali maintained a sacrosanct plac...
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Khalid Mohamed writes to Parineeti Chopra about The Girl on the The Train, has issues with Hello Mini 2, and checks out the trailer of Gangubai Kathiawadi. THE GIRL ON THE TR...
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A photo-essay by Ashis Ghatak: On the placid side of Kashmir and its infallibly hospitable mountain folk. I wonder why stories of Kashmir carry along with them some invariabl...
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Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled execution, writes Shantanu Ray C...
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A press conference was held on 1st March 2021, to reiterate as to why the destruction is unsustainably dangerous for a public university that has consistently ranked first in ...
Read MoreGup-shup with GoPu
Noted academic, playwright, writer Govind P Deshpande (2nd August 1938 – 16th October 2013) was better known as GPD or as GoPu in the Marathi circles, writes Aparajita K...
Read MoreTHE RURAL BOY WHO BECAME A LITERARY ICON
Sohaila Kapur explores Mahesh Elkunchwar’s remarkable journey from rural Maharasht...
October 18 2026PRAHAAR REVIEW: JUSTICE AND HEROISM
Prahaar examines Ujjwal Nikam’s role in landmark terror trials, championing due pr...
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A luminous tale of souls in search of light. Saibal Chatterjee’s review explores S...
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