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SEVEN DAYS OF EXTRAORDINARY CINEMA
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ACTING, LYING, AND THE TRUTH
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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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Those Guilty Pleasures
Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today. For the most part, New Age Bollywood has realized the importan...
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A genius having mastered many arts: Satyajit Ray
Humra Quraishi revisits the auteur Satyajit Ray’s life on the eve of his hundredth birth anniversary Satyajit Ray’s hundredth birth anniversary comes close; wha...
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The Joy of Photography
Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see through the naked eye and grab the moment. Quit...
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Jai Siya Ram…
Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the political playground recently. I woke this morni...
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Reimagining Ambedkar
Ambedkar appears in many different ways in the ordinary life of Dalits, writes Badri Narayan Educated followers read his texts and use his arguments and visions for t...
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The narrative doesn’t hit home: Tangra Blues
Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visual documentation and tepid storyt...
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Reflecting humanity through the struggle of a woman: Federico Fellini
Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. Nights of Cabiria (1957), is Fellini&rsq...
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The Sound of Dubbing
Film historian Dhruv Somani discusses how and why top Bollywood actors down the years, have been ghost-voiced by dubbing artistes. Once an unknown factor, dubbing gradually...
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Signs of the times: Nothing’s right
Humra Quraishi says that the signs of fascism are spreading, yet as mute spectators we sit quiet and subdued. One prominent sign: the masses are being rendered so fragile a...
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How to go bonkers
Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the comme ci comme ca Malayalam psycho-thriller Irul. ...
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