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Hair today, gone tomorrow

Khalid Mohamed streams right into Hansal Mehta’s Chhalaang, Akarsh Khurana’s Mismatched and more.

At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

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A Woman of Letters

“I am reading Amartya Sen’s book nowadays”, says a sprightly young voice at the other end of my telephone line: Janak...

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The Legend Of Bhai Dooj

In this piece adapted from hearsay, Vinta Nanda writes that Bhai Dooj also has a story to follow.

For Hind...

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Signs of the times: This is Joe Biden

Humra Quraishi writes that perhaps, equipped with exceptional emotional strength, Biden could take on major setbacks, which th...

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Honey Trehan: Raat Akeli Hai & The Twinkling Stars

The stellar cast, fantastic atmospheric visuals, haunting background score, directorial grip on the noir narrative of the film Raat Akeli Hai, ...

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Signs of the times: Love, Hate and Saffron Flowers

I am wondering if a chief minister of a state has the right in a democracy to give shrouded threats to Muslim men suspected to be indulging in ...

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Run, trailer, run

Khalid Mohamed checks out the Laxmmi Bomb trailer, the by-now iconic series Jamtara and the aptly-titled Poison 2

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Meet the Raging Bull

Khalid Mohamed reviews Scam 1992: The Harshad Mehta Story, Ginny Weds Sunny and High – the latest fare on streaming plat...

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Close Encounters with Rekha

On her 66th birthday, Khalid Mohamed writes on the eternal mystique of Rekha.

It’s ...

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