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Those Haunting Melodies

Film historian Dhruv Somani, laments the end of the mel...

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Tum kya History Parathe ho?

Humra Quraishi writes: Words like riots and rioting hit you hard, because they announce another round of destruction of human ...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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All about flesh and blood

Humra Quraishi responds to the unnecessary hungama surrounding Halal, a noise not sparing even Haldiram’s Falahari Packe...

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Geetanjali Kulkarni: 25 years an Actor

Aparajita Krishna views actor Geetanjali Kulkarni’s life and career through the prism of her cutting-edge work in theatr...

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Rocket Girl

Khalid Mohamed interviews Saba Azad, the multi-faceted actor, dancer, theatre director, singer who made an impact with the ser...

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Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...

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Of Human Shields and Human Rights

In light of recent events in Srinagar’s Hyderpora in Kashmir, where it is alleged that civilians were used as human shields, Humr...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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The Three Khans and the emergence of new India

Kaveree Bamzai’s book with fascinating long shots and close-ups is unique for several reasons, writes Monojit Lahiri. Fo...

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