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Signs of the time: Who is accountable?

Humra  Quraishi recalls her brief meeting with Dilip Kumar and Saira Banu and worries for...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Sita Rattan: Her blue and yellow moments

Vinta Nanda visits Sita Rattan’s canvases and explores the well of consciousness that she draws out her art from.

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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Rambha Ho: Never Say Never

“Who says I have quit forever”, asks the screen sensation of unforgettable dance numbers, Kalpana Iyer, in a chat-fest with film hi...

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Broken windows and promises

Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separ...

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The Afterlife of Kudrat

Film historian Dhruv Somani, re-evaluates Chetan Anand’s take on reincarnation forty years later.

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Helplines: Warriors at the forefront

Professionals talk to Monarose Sheila Pereira, about th...

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Of Unsung COVID Warriors

Mamta Mahadik steps back to look at the work of Harsha Foundation for the BMC sweepers working...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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