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Dark Humour Now

“What did we do without mobile phones?” is the buzz question of the chatterati of the West and of the chapaterrati of India, writes...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

Mahishasur Marddini: Endless Night…

Filmmaker Ranjan Ghosh speaks to Shantanu Ray Chaudhuri about his soon-to-be-released film…

The Performing Arts in Lockdown

Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...

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REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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It happened one night: Mohanagar

Shantanu Ray Chaudhuri reviews Mohanagar, the latest offering, from Bangladesh, on the streaming platform Hoichoi

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Rickshawala

After the critical success of Seasons Greetings, Ram Kamal Mukherjee is back with a loving ode to that hoary Kolkata institution - the hand-pul...

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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

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