Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

Hiralal: A rare biopic on a pioneer of Indian cinema

The fascinating life of Hiralal Sen probably needed more visual flair, writes Shantanu Ray Chaudhuri

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KABHI BLOOD KABHI PIZZA

Khalid Mohamed shudders at the gorefest Chakravyuh, finds sweet relief in Gullak 2, and checks out the Oscar-nominated Sound o...

The peerless entertainer

Film historian Dhruv Somani, pays tribute to Nasir Hussain, wizard of the undervalued romantic musicals of Bollywood.

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Begums on top, or nearly

Khalid Mohamed reviews the flawed and yet commendable Begums of Bombay, finds 1962: The War in...

Prem Tame: Love’s Labour Lost

Shantanu Ray Chaudhuri writes that an inspired final act and a brilliant soundtrack cannot overcome the shortcomings of vapid ...

Where art thou?

Khalid Mohamed in conversation about the limitless forms of art with the 23-year-old artist, Adyot Rajadhyaksha, who debuted a...

How to combat the coronavirus right now

Dr. Kishore Madhwani writes on everything you must know today with the nation’s ongoing tireless vaccine drive and how w...