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Reasons For My Angry Song

\Humra Quraishi recalls the days of the past when the Muslims didn’t live in fear and the Hindus were kind, courteous an...

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Making Fraaandship with Nupur Asthana

Aparajita Krishna explores love, relationships, friendships, feminism and more in the interview with writer, director Nupur As...

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The Human Voice

Khalid Mohamed, who was commissioned to write the official autobiography of Nusrat Fateh Ali Khan (1948-1997)...

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Spine Chiller Revisited

Film historian Dhruv Somani revisits Jaani Dushman the 1979 multi-starrer blockbuster of Raj Kumar Kohli, which is a major dra...

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Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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Land of Unsuitable Women

We are witnessing in the state of Kerala today a spurt in unsuitable women - women who are undaunted naysayers, living or dead, writes ...

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More Sinned Against Than Sinning!

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’.

Art. Real...

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