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Shot by shot

A photo-essay by ace photographer Subi Samuel of  Sushmita Sen, a woman of strength and substance.

It must have been around 1996, a little bef...

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Signs of the times: Speak for Democracy

Though nothing really surprises in the fascist times that we are destined to be  living in, news of the sealing of the Kashmir Times offic...

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Run, trailer, run

Khalid Mohamed checks out the Laxmmi Bomb trailer, the by-now iconic series Jamtara and the aptly-titled Poison 2

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Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Fly in the ointment: TRP’s

When ‘life’ jives with storytelling evolution happens, writes Vinta Nanda

Ra...

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Signs of the times: Come October

Humra  Quraishi remembers classical singer Begum Akhtar, also known as Akhtari Bai and we...

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SMM AUSAJA: Keeper Of Our Cine-Heritage & Memorabilia

SMM AUSAJA, our man in the frame, deserves not just this mere article, but perhaps books on him writes Aparajita Krishna.

...

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Scaling 200+ & the Sixer

This piece by Dr Sandeep Goyal, in which he evaluates sixers, 200+ scores and their significance to broadcasters, marketers an...

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Remembered: Mulk Raj Anand

Humra Quraishi recalle her conversations with one of India’s most perceptive writers, Mulk Raj Anand, who spoke about th...

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Close Encounters with Rekha

On her 66th birthday, Khalid Mohamed writes on the eternal mystique of Rekha.

It’s ...

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