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FESTIVALS: THE KHUSHWANT SINGH LITERARY FESTIVAL OF KASAULI

I had a conversation with Rahul Singh, to know the significance of the Khushwant Singh Literary Festival, writes Vinta Nanda. ...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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REFLECTING INDIA: AN ANALYSIS OF POPULAR SCRIPTED TELEVISION

An intersectional and longitudinal analysis of popular scripted television from 2018 to 2022, has been released by the Geena Davis Institute of...

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KANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022

Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...

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CASTE, RELIGION AND LEARNING GAPS

In the backdrop of an incident that took place a couple of weeks ago, when a young Muslim student was taunted by his teacher, Humra Qur...

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The Religion, Caste & Poverty Discussion

In continuation of what she’s written earlier, Humra Quraishi is focusing on the young in context to the horrific commun...

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Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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A Woman of Letters

“I am reading Amartya Sen’s book nowadays”, says a sprightly young voice at the other end of my telephone line: Janak...

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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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