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True Review
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Days of qawwalis
Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today? Once, the qawwali maintained a sacrosanct plac...
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Open mail to Parineeti Chopra
Khalid Mohamed writes to Parineeti Chopra about The Girl on the The Train, has issues with Hello Mini 2, and checks out the trailer of Gangubai Kathiawadi. THE GIRL ON THE TR...
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Bengali Film Review: Dictionary
Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled execution, writes Shantanu Ray C...
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Once upon a foggy night
Film historian Dhruv Somani, re-assesses the 1964 suspense thriller Kohraa, which he asserts is grossly undervalued. I happened to watch Rebecca (2020) on Netflix starring Li...
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Playing corpse and killers
Khalid Mohamed has mixed feelings about the Mohanlal movie Drishyam 2, thumbs up three episodes in the anthology series Zindagi in Short… and more. DRISHYAM 2&nb...
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Sightless in Bollywood
Film historian Dhruv Somani, recollects the B-town movies dealing with the theme of the sight-impaired. Cinema has always been considered as a powerful medium to reflect our ...
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Tara ra pomp pomp
Khalid Mohamed attends The Big Day weddings, listens in to Martin Scorsese’s docu-interview with Fran Lebovitz and… more. THE BIG DAY (NETFLIX) Oh oh, ...
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Womanpower in khaki
Film historian Dhruv Somani, tracks down the heroines who have portrayed top cops, a domain usually reserved for heroes. Bollywood has largely been about stereotypes, what wi...
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How the war was won
Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discovers the controversial Bangladeshi film, Doob, with...
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Voices we miss
Film historian Dhruv Somani, chronicles the popular film playback singers, who are rarely heard today. There are quite a few film playback voices we miss hearing nowadays. La...
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