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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultPOWERFUL PEOPLE: OF SERVICE TO WOODINVILLE
It is with great pride that I present to you Preeti Shridhar, who recently took charge as the elected representative in Woodinville, Washington...
Read MoreTRENDING: MEET THE CAST AND CREW OF FARIDA
Meet the cast and the crew of the new play FARIDA, directed and written by Nadira Zaheer Babbar for Ekjute Theatre Group. It opens at Prithvi T...
Read MorePOWERFUL PEOPLE: THE POET IMPRESSIONIST
On the occasion of the 58th Jnanpith Award for Gulzar saab, Humra Quraishi revisits her friendship with him an...
Read MoreTHOUGHT FACTORY: THE MANY HINDUISMS OF SECULAR DEMOCRATIC INDIA
Keeping religion a personal matter and not politicising it is crucial to prevent discrimination, promote social cohesion, and uphold the princi...
Read MoreALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR
Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...
Read MorePOLITICS: WHEN THE SEEDS OF HATE WERE SOWN
Humra Quraishi recounts the days when there was respect and great pride in India’s diversity, and brings back memor...
Read MoreTRENDING: HUMME TUMSE PYAAR KITNA
Monojit Lahiri checks out the real drama behind this momentous day called Valentine’s Day and checks out all the hullaba...
Read MorePOWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY
Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...
Read MoreBUSINESS: SPEAK MEMORY!
Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.
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BOLLYWOOD: THE GIANT CALLED RAHUL RAWAIL
The box office failure of Dacait was perhaps the single biggest reason for Rahul Rawail to never be the same filmmaker again. He tried coming b...
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