YESTERDAY ONCE MORE

Khalid Mohamed rewinds to his conversations with his all-time favourite, Sridevi, whose fourth death anniversary is today...

Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...

Hijab: The divisive agenda 2022

Humra Quraishi looks closely at the systematic way in which the Right-wing groups are deepening divisions between the Hindu an...

Appealing to the young at heart: Kakababur Protyabortan

Srijit Mukherji’s new film appeals to the young at heart, with Soumik Haldar’s cinematography helping it tide over the narrative lu...

KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

To be a good artist, first be a good person.

Humra Quraishi revisits conversations with the danseuse Sitara Devi and writer Mani Sankar Mukherji and draws comparisons - th...

The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...